
One of the biggest stars of the 30’s and 40’s, the favorite actress of Winston Churchill, Anne Frank had her picture on the wall of her attic room, yet today, sixty years after her abrupt retirement, she is pretty much forgotten. For those under the age of 40, she is just about unknown.
How could this be?
From starring in pictures that were the biggest of her day, sharing an Academy Award with Mickey Rooney, the highest paid actress of her time, how could Deanna Durbin be forgotten?
Even seeing her films today is a chore. While a few have been released on DVD in a single DVD collection, several have never even made it to VHS and rarely are any shown on TV.
Deanna began her career as a singer. Born in Canada, her family moved her to California to advance her career. There she appeared in a short film for MGM, EVERY SUNDAY.
EVERY SUNDAY featured Deanna as a young girl trying to help her grandfather keep his job the conductor at the local town outdoor concert. When told that if he doesn’t have a good crowd at the next Sunday’s concert he will be fired, Deanna and a friend try to draw the biggest crowd possible by spreading leaflets about the show around town. When that doesn’t work, they take the stage to each sing a number with the band. This draws the crowd and saves his job.
The short didn’t do much to help Deanna’s career as MGM dropped her. In fact, the short wouldn’t really survive to this day if not for her co-star in it, someone that MGM was much more interested in, a young Judy Garland.
While it didn’t work out with MGM, Deanna had better luck with another studio, Universal. She was signed with them to appear in the film THREE SMART GIRLS.
In this film, she appeared as the youngest of three daughters of a divorced, wealthy woman living in Europe. When they read in the paper that their father is getting remarried, the three girls head to the US to get to know their father and try to stop the marriage.
THREE SMART GIRLS turned out to be such a hit that, legend has it, its profits saved Universal from bankruptcy. Deanna made all of her subsequent films with Universal.
Her follow up film was ONE HUNDRED MEN AND A GIRL, which stands to this day as one of her strongest, mainly for the music. In this film, Deanna’s father is an out of work trombone player. He tries to get a job with Leopold Stokowski (playing himself). When he finds that difficult, Deanna joins in the fun.
The musical sequences in this film are outstanding. It opens with a five minute scene of Stokowski performing. Several other long sequence follow.
She went on to make 21 films in all. Most of them were very funny, lightweight musicals. Only one (CAN’T HELP SINGING) was shot in color.
She attempted to make more serious films. In CHRISTMAS HOLIDAY she played a bordello singer who marries a killer (Gene Kelly). And THE AMAZING MRS. HOLLIDAY began as a Jean Renoir directed film, but he left early on in the shooting, and it was lightened up quite a bit. You can still see some of Renoir’s influence on the film.
But, the audience wanted to see Deanna make the comedies she was known for. So, the studio kept pushing her back into that genre.
Her films are an excellent look at the time period, especially among the supporting cast. She worked with actors such as Charles Winninger, Eugene Pallette, Ray Milland, Mischa Auer, Arthur Treacher, William Frawley, Melvyn Douglas, S.Z. Sakall, Charles Laughton, Franchot Tone, and many more. Billy Wilder had an early job working on the script of one of her films (THAT CERTAIN AGE).
But, after 21 films, before she even turned thirty, she had enough. She walked away in 1948 never to make another film.
So, what ever happened to her?
Deanna moved to France with her husband and stayed there. She still lives there today. She kept in touch with her Hollywood friends but lived far from the spotlight.

In the sixty years since leaving Hollywood, she has rarely even given an interview. In 1980, she sent a current photo of herself to Life Magazine, with a note saying that she was tired of reading all the stories of her gaining weight, so she wanted to prove to the world she didn’t.
She has communicated with her fans, singing photos, and such. But hasn’t made any appearances on film. She will be 86 in December.
After seeing one of her films on TCM a few years back (IT’S A DATE) and reading the story of her life, I was fascinated with it. I then was able to track down all of her films. That was quite a chore in itself, as many have never even been released on VHS.
There was a DVD release of six of her films a few years back, but that is all that is currently available in the US. In the UK, where she is more popular due to the popularity of her films in wartime, 19 of her 21 films are available. Two of them (one of my favorites SPRING PARADE and IT’S A DATE) have all sorts of rights issues around them that have held up their release.
It is hard to believe that she went from being so popular, to barely even being remembered. I once began work on a biography on her, since there has never been one written. But, early on in my research, I found out another was in the works. It seems it has fallen through. Since then, I found that she was against any bio being written, so I guess I won’t continue.
Her films do deserve to be seen a lot more. They still hold up today.
DEANNA DURBIN ON DVD
DEANNA DURBIN ON VHS
Thursday, June 14, 2007
What Ever Happened to Deanna Durbin
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14 comments:
Enjoyed your write-up on the remarkable Deanna Durbin very much.
Just wanted to mention that more recent scholarship on EVERY SUNDAY indicate that Deanna appeared in this short at MGM after having been signed by Universal. Most sources indicate EVERY SUNDAY was short in late June/early July 1936. A blurb in the June 1st HOLLYWOOD REPORTER reported that "Universal has changed Edna May Durbin's first name to 'Dianna' (sic)," so it seems highly unlikely Deanna was under contract to MGM at the time the short was produced.
So why was she there? There was a provision in Deanna's MGM contract which allowed the studio to call on her services for up to 60 days following its' termination if she was not engaged in shooting a film at her new studio. As production on THREE SMART GIRLS was not set to begin until September, Deanna found herself back on the Metro lot making this short with Judy.
The "decision" on whether to drop Durbin or Garland was made by MGM executives based on the screening of an "Exhibitor's Reel" featuring the two girls which was produced a few months before EVERY SUNDAY. It is also likely that it was this Exhibitor's Reel that Joe Pasternak and Henry Koster viewed in deciding on Durbin's suitability for THREE SMART GIRLS.
To this day, it is unclear whether Durbin was dropped by mistake or intentionally by MGM, but letting her slip through its' corporate fingers, only to watch her win instantaneous stardom and acclaim and make a fortune for another studio, was probably Metro's biggest blunder, and Louis B. Mayer never got over it. As late film historian David Shipman (among others) stated, while "every studio wanted a Durbin, no one wanted one as badly as Louis B. Mayer."
Ironically, when EVERY SUNDAY was released to theaters, it was Deanna Durbin, with her tremendous simultaneous success on both radio (the EDDIE CANTOR TEXACO SHOW) and screen (THREE SMART GIRLS), who generally received much more prominent billing in the advertising than her gifted, but as yet unproven co-star, Judy Garland.
Edith Bunker's favorite movie star. The first time I ever heard her name was on All In The Family and she was already a forgotten star laugh-line, although Edith, if I recall correctly, does a wonderful job of expressing her admiration.
It was a hot summer in 1962 when my family relocated to Los Angeles California. I was 9 years old and we were just settling into our new Pomona tract rental home. I had yet to make any friends or acclimate to the heat of a Southern California July. I passed the afternoons watching Tom Hadden's afternoon movie presentation. It was there that I saw my first Deanna Durbin movie," Can't Help Singin'". She was the featured artist of the week and I was hooked and still am madly trying to assemble a library of her movies, most of which I've seen, with the notable exception of "Christmas Eve". I don't understand why we in the United States do not have access to these films and I wait apprehensively for their releases here. A long life with much deserved privacy for La Durbin!!
Thanks for shining a spotlight on this unjustly neglected actress. A couple of years ago I saw "It Started with Eve" and was bowled over by this actress. (I wrote my impressions here, if you would like to see them.) She had real flair and the camera ate her up. I bought the "sweetheart collection" with five films on DVD but some of her other films are a bit hard to track down, like Deanna.
Legend has it that Louis B. Mayer saw the audition reel with Garland and Durbin and told his underlings to "drop the fat one." He meant Garland, but they dropped Durbin instead. Since he didn't do so bad with Judy it is hard to feel very sorry for LB. Well, indeed it is very hard to feel sorry for him at any time for any reason ...
Deanna Durbin's genuine charm and amazing voice has made me a big fan. I spend a lot of my spare time checking the internet to find pictures of Deanna and buying her DVD movies from EBAY and AMAZON. I'm determined to see all her movies and the following is a list of the ones I have seen so far: MAD ABOUT MUSIC, FIRST LOVE, THREE SMART GIRLS, 100 MEN AND A GIRL, THAT CERTAIN AGE, THREE SMART GIRLS GROW UP, CAN'T HELP SINGING, IT STARTED WITH EVE, LADY ON A TRAIN, SOMETHING IN THE WIND, HERS TO HOLD, IT'S A DATE, HIS BUTLER'S SISTER, NICE GIRL. I also love watching Deanna sing on YOU TUBE and leaving comments. There are plenty of DD fans around the world, but this current generation still knows very little about the best actress/singer to ever come out of Hollywood!
Alex (Australia)
Just letting you all know that I do carry 10 DVDs and 10 VHS of Deanna Durbin in one enormous box set of either format. She is so popular as well - so not THAT hard to find. I found her! Ed
I recently started a Deanna Durbin tribute website called Deanna Durbin Devotees which can be accessed at www.deannadurbin.org
Thanks for an enjoyable write-up on my favorite female movie star ever. I fell in love with Deanna's films as a girl in the 1970s when they were being rerun on a local TV station. She was such an adorable role model for teenage girls, just the perfect combination of smarts, sweetness and charm.
By the way, I've also heard the LB Mayer tale about dropping "the one with the puppy fat" regarding "Every Sunday" and tend to cringe every time I hear someone in a film retrospective speak of how MGM "dumped" Deanna Durbin in favor of Judy Garland. It's a pity there isn't a more definitive source for the "truth" behind the tale, though I'm relatively sure that the "puppy fat" quote was mentioned in a recent short subject on TCM which detailed the studio executive who was told to let one of the girls go. (Sadly, I can't recall which executive it was). Still, I clearly recall it being mentioned in the short subject that "fat is in the eye of the beholder" and that the executive thought that "the one with the puppy fat" referred to Deanna, rather than Judy, but was later told that Mayer had meant Judy. This is sort of born out by the stories Judy later told of how Mayer called her "his little hunchback" and punished her with chicken broth for every meal at the studio and at studio functions for years on end.
One of my best friends used to write to Deanna a lot back in the 80's & 90's & she always got a really warm, pleasant response from her. I always meant to send something to Deanna since she was always a gracious signer for fans, but never did.
I've always admired her for jst saying she'd had it with the whole studio system & walking away while she was still on top!
Jeanine Basinger wrote a great essay about Deanna in her new book THE STAR SYSTEM (it has picture of Loretta Young & Ty Power on cover).
I would appreciate if someone would give me an address to write to Deanna Durbin to let her know how happy she makes me watching her films and listening to her singing.
Here is a link to Deanna Durbin's address:
http://www.deannadurbindevotees.com/general-f6/fan-mail-t109.htm
Alex
In regards to Deanna Durbin's films. Yes she made 21 along with the short "Every Sunday". Her films can be had on Ebay. I had bought 18 of them and got the rest on Ebay so I have the complete collection. She is 87 years old now and I think it would be nice if she granted one television interview before she dies. I think it's great that after all these years, people still can't get enough of her.
Georl
It's "Christmas Holiday", not "Eve".
"It's "Christmas Holiday", not "Eve"."
Fixed, thanks. And I knew that when typing it. I watched the film a couple times.
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